| FEATURES |
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| 2012 |
ABOUT TIME |
Dir: Richard Curtis |
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Prods: Tim Bevan |
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/ Sarah-Jane Wright |
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Working Title |
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| 2011 |
THE COMPANY YOU KEEP |
Dir: Robert Redford |
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Prods: Robert Redford |
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/Nicolas Chartier / Greg Shaprio |
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/ Bill Holderman |
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Wildwood Ent. / Kingsgate Ent. |
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/ Brightlight Pictures |
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/ Voltage Pictures |
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| 2010 |
HARRY POTTER AND THE DEATHLY |
Dir: David Yates |
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HALLOWS: PART II |
Prods: David Heyman |
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/ David Barron |
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Warner Bros. Pictures |
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| 2009 |
HARRY POTTER AND THE DEATHLY |
Dir: David Yates |
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HALLOWS: PART I |
Prods: David Heyman |
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/ David Barron |
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Warner Bros. Pictures |
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| 2007 |
HARRY POTTER AND THE |
Dir: David Yates |
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HALF-BLOOD PRINCE |
Prods: David Heyman |
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/ David Barron |
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Warner Bros. Pictures |
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| 2005 |
HARRY POTTER & THE ORDER |
Dir: David Yates |
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OF THE PHOENIX |
Prods: David Heyman |
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/ David Barron |
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Warner Bros. Pictures |
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| 2002 |
THE MYSTICS |
Dir: David Blair |
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Prod: Mark O'Sullivan |
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Bórd Scannán na hÉireann |
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| 1998 |
THE THEORY OF FLIGHT |
Dir: Paul Greengrass |
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Prods: David M. Thompson |
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/ Anant Singh |
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BBC / Distant Horizon |
| TELEVISION FILMS & SERIALS |
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| 2005 |
WHATEVER LOVE MEANS |
Dir: David Blair |
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Prod:Wojciech Szepel |
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Granada |
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| 2005 |
THE GIRL IN THE CAFÉ |
Dir: David Yates |
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*EMMY Nomination: Outstanding |
Prod: Hilary Bevan Jones |
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Single-Camera Picture Editing 2005 |
Tightrope Pictures |
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HBO / BBC |
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| 2003 |
SEX TRAFFIC |
Dir: David Yates |
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*BAFTA Winner: Best Fiction |
Prod: Derek Wax |
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/ Entertainment Editing 2005 |
Big Motion Pictures |
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*RTS Winner: |
/ Granada |
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Best Tapeand Film Editing 2005 |
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| 2003 |
THE YOUNG VISITORS |
Dir: David Yates |
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*RTS Nomination: |
Prod: Christopher Hall |
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Best Tape and Film Editing 2004 |
BBC Drama Group |
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| 2003 |
STATE OF PLAY |
Dir: David Yates |
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*BAFTA Winner: Best Editing 2003 |
Prod: Hilary Bevan Jones |
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*RTS Nomination: |
Endor / BBC |
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Best Tape and Film Editing 2003 |
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| 2002 |
ROSE AND MALONEY |
Dir: Omar Madha |
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Prod: Tom Grieves |
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Company Pictures |
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| 2001 |
FLESH AND BLOOD |
Dir: Julian Farino |
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Prod: Derek Wax |
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Red Production Company |
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| 2001 |
THE WAY WE LIVE NOW |
Dir: David Yates |
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*BAFTA Nomination Best Editing 2001 |
Prod: Nigel Stafford Clark |
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*RTS Nomination: |
Deep indigo / BBC |
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Best Tape and Film Editing 2001 |
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| 2001 |
NCS MANHUNT |
Dir: Michael Whyte |
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Prod: Sue Austen |
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BBC |
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| 2001 |
SHOCKERS |
Dir: David Blair |
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Prod: Barney Reisz |
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Tiger Aspect |
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| 2000 |
THE SINS |
Dir: David Yates |
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Prod: Lisa Marshall |
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BBC |
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| 2000 |
ANNA KARENINA |
Dir: David Blair |
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Prod: Matthew Bird |
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Company Pictures |
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/ Channel 4 |
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| 2000 |
THE MURDER ROOMS |
Dir: Paul Seed |
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Prod: Ian Madden |
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BBC |
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| 1999 |
DONOVAN QUICK |
Dir: David Blair |
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Prod: Sue Austen |
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BBC |
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| 1999 |
SPLIT SECOND |
Dir: David Blair |
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Prod: Kate Swan |
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BBC Scotland |
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| 1997 |
THE FIX |
Dir: Paul Greengrass |
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Prod: Kenith Trodd |
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BBC |
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| 1997 |
THE WINGLESS BIRD |
Dir: David Wheatley |
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Prod: Ray Marshall |
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Tyne Tees Television |
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/ Festival Films |
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| 1997 |
THE TALE OF SWEENEY TODD |
Dir: John Schlesinger |
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35mm Cable Release |
Prod: Robert Halmi Jnr |
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Hallmark Entertainment |
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| 1995 |
COLD COMFORT FARM |
Dir: John Schlesinger |
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Prod: Alison Gilby |
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BBC Films |
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| 1996 |
A ROYAL SCANDAL |
Dir: Sheree Folkson |
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Prod: Janice Hadlow |
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BBC / WGBH |
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| 1996 |
THE TIDE OF LIFE |
Dir: David Wheatley |
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Prod: Ray Marshall |
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| 1994 |
CRIMINAL |
Dir: Corrin Campbell-Hill |
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Prod: Hilary Salmon |
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| 1993 |
ROYAL CELEBRATION |
Dir: Ferdinand Fairfax |
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Prod: Jacinta Peel |
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| 1993 |
SUDDENLY LAST SUMMER |
Dir: Richard Eyre |
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Prod: Simon Curtis |
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Columbia Pictures |
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/ BBC |
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| 1992 |
THE HUMMINGBIRD TREE |
Dir: Noella Smith |
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Prod: Gub Neal |
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BBC Films |
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| 1992 |
MEMENTO MORI |
Dir: Jack Clayton |
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*BAFTA Nomination Best Editing 1993 |
Prod: Louis Marks |
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BBC |
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| 1991 |
A QUESTION OF ATTRIBUTION |
Dir: John Schlesinger |
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Prod: Innes Lloyd |
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BBC / WGBH |
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| 1991 |
TELL ME THAT YOU LOVE ME |
Dir: Bruce MacDonald |
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Prod: Sarah Curtis |
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BBC |
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| 1990 |
THE POLICE |
Dir: Ian Knox |
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Prod: Jacinta Peel |
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BBC |
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| 1988 |
NUMBER 27 |
Dir: Tristram Powell |
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Prod: Innes Lloyd |
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BBC |
